Herbert Kenwith, born in New Jersey, started his career as an actor and appeared in several Broadway productions. His last was as "Bellboy" in "I Remember Mama" starring Mady Christians, produced by Richard Rodgers and Oscar Hammerstein II, from 1944-46 (he was also Assistant Stage Manager). His first stage credit for producer / director was for "Night Must Fall," starring May Whitty. As Broadway's youngest producer, Kenwith--with Paul Feigay, Oliver Smith and David Cummings--produced the 1948 Gertrude Berg play "Me and Molly," (26 Feb-10 July 1948), starring Berg as Molly Goldberg. The production was voted "one of the season's ten best plays". After Broadway Kenwith produced and directed all 65 productions for Princeton University's McCarter Theatre for six very successful summers. The productions featured such leads as Lucille Ball, Mae West, Charlton Heston, Shelley Winters, Cesar Romero, Walter Matthau, Maureen Stapleton, Eve Arden, Constance Bennett, Joan Bennett, Paul Muni, Miriam Hopkins, Gloria Swanson, Jeanette MacDonald, Zazu Pitts and Nancy Reagan (known at the time as Nancy Davis). In the infant medium of New York television, CBS hired Kenwith as an associate director. Within seven weeks he was assigned to direct the daytime soap opera Valiant Lady (1953), followed by Lamp Unto My Feet (1948), Suspicion (1957), The Investigator (1958), The Polly Bergen Show (1957) and Jonathan Winters in his weekly television comedy show. For his first three years at NBC Television, Kenwith directed the series The Doctors (1963) starring Ellen Burstyn. Picking up directing assignments on network television specials, he directed such stars as Danny Kaye, Billy Eckstine, Sidney Poitier and even Rose Kennedy. Within three weeks of his arrival in Hollywood Kenwith was directing episodes of Death Valley Days (1952), The Name of the Game (1968), Marcus Welby, M.D. (1969), Star Trek (1966) and Daktari (1966), along with television pilots for all the networks. Among the performers he worked with while at the Princeton University McCarter Theatre was Lucille Ball, who tapped Kenwith as a director for her television series Here's Lucy (1968), NBC and 20th Century-Fox revived a five-day drama series based upon the night-time drama Peyton Place (1964), retitled Return to Peyton Place (1972). NBC contracted Kenwith to alternate daily directing assignments until the series was canceled in 1975. He directed the first episode of the CBS daytime drama The Young and the Restless (1973), followed by alternating directorial assignments on "Return to Peyton Place". Norman Lear signed Kenwith to a seven-year contract as producer and director at Lear's factory of television shows, and he helmed such shows as "Different Strokes" (1972)_, _"The Facts of Life" (1974)_, Good Times (1974), One Day at a Time (1975) and the night-time comedy-soap opera All That Glitters (1977). Numerous prime-time sitcoms Kenwith directed included NBC's Sanford and Son (1972) featuring Redd Foxx, Demond Wilson and LaWanda Page, and the short-lived NBC series Joe's World (1979) starring K Callan. His long association and friendship with Mae West resulted in his directing her theatrical stage projects. Although of the same physical appearance and height as Napoléon Bonaparte. Kenwith--a non-smoker and teetotaler--was known for his charming personality, a tremendous sense of humor and a friendly disposition that put any performer at ease during a guest appearance on a television or theatrical production. Kenwith, friendly with his television technical stage crew, could request and receive immediate response because of his affable attitude. His realm of expertise was respected and admired by his entire theatrical crew. Two featured characters in "All That Glitters" were Eileen Brennan as Ma Packer and her lazy son, Sonny Packer, played by Tim Thomerson. Sonny's role of wannabe Elvis Presley impersonator--always strumming his guitar, practicing swinging hips and rock movements--was diligently encouraged by Ma Packer. Their principal abode was a run-down farm shack. In preparation for the first introduction of the outlandish pair, Kenwith and Brennan requested the littered straw and dirt studio set floor be inhabited with a small pot-bellied pig and a dozen chickens. The first day of videotaping Ma and Sonny Packer's introduction in the series, Brennan picked up one of the hens, holding the chicken in her arms like a pet cat, petting and soothing the clucking hen while performing her character's motherly role. For the entire week she carried the same hen in her arms, with the chickens pecking seeds from the straw on the ramshackle floor. The following week the producers decided to cancel the livestock! Arriving early on set for rehearsal, Brennan and Kenworth confronted the dull-witted producers--"Where were the chickens?"--only to find out that the critters were taken out in order to save money on a chicken wrangler and his flock of hens! The cast and crew waited for an hour for the wrangler and his flock to arrive. Thereafter, Brennan and her chicken co-star with the flock of hens were featured until Ma moved uptown, with Sonny becoming a full-fledged rock star on a local television station talent show, landing a gig at a local Western bar and stardom! Ma Packer, now a sexy glamorous theatrical agent, became a music-rock group phenomena. Kenwith lived in a large four-bedroom home above the famous Hollywood Sunset Strip, with a southwest view of the Los Angeles cityscape. The home had at one time belonged to the permanent host for Princess Grace Kelly and her husband Prince Rainier of Monaco on their visits to Southern California, as they never stayed in a hotel. After retiring from the television industry, Kenwith downsized, relocating to a condo-penthouse in Beverly Hills, in Century City. He died at age 90 on January 30, 2008, in Los Angeles of complications from prostate cancer.
Herbert Kluever is known for Das Amulett des Todes (1975), Frühreife Betthäschen (1972) and Liebe zwischen Tür und Angel - Vertreterinnen-Report (1973).
Herbert Knaup was born on March 23, 1956 in Sonthofen, Germany. He is an actor, known for Lola rennt (1998), Die Sieger (1994) and Das kleine Gespenst (2013). He has been married to Christiane Knaup since 2006.
Boston-born Herbert Strock's introduction to the movie business was as director of the Fox Newsreel crew, visiting Hollywood stars in their homes. After serving with the Ordnance Motion Picture Division, he found employment as an editor at MGM and later moved into the infant medium of TV, producing and directing The Cases of Eddie Drake (1952), the first-ever motion picture film to become a network series. Strock made the transition to feature film directing in 1953, when (in the midst of production) he took over direction of the SF thriller The Magnetic Monster (1953) from Curt Siodmak. Today he operates his own post-production facilities.
Herbert Lannard is known for 50,000 B.C. (Before Clothing) (1963), The Smut Peddler (1965) and Professor Lust (1967).
Herbert Lom was born on September 11, 1917 as Herbert Charles Angelo Kuchacevich ze Schluderpacheru into an aristocratic family living in genteel poverty. His incredibly long surnames led him to select the shortest surname he could find extant ("Lom") and adopt it as his own, professionally. He made his film debut in the Czech film Zena pod krízem (1937) and played supporting and, occasionally, lead roles. His career picked up in the 1940s and he played, among other roles, Napoleon Bonaparte in The Young Mr. Pitt (1942) and in War and Peace (1956). In a rare starring role, Lom played twin trapeze artists in Dual Alibi (1947). He continued into the 1950s with roles opposite Alec Guinness and Peter Sellers in The Ladykillers (1955), and Robert Mitchum, Jack Lemmon and Rita Hayworth in Fire Down Below (1957). His career really took off in the 1960s and he got the title role in Hammer Films' production of The Phantom of the Opera (1962). He also played "Captain Nemo" in Mysterious Island (1961) and landed supporting parts in El Cid (1961) and an especially showy role in Spartacus (1960) as a pirate chieftain contracted to transport Spartacus' army away from Italy. The 1960s was also the decade in which Lom secured the role for which he will always be remembered: Clouseau/Peter Sellers' long-suffering boss, Commissioner Charles Dreyfus, in the "Pink Panther" films, in which he pulled off the not-inconsiderable feat of stealing almost every scene he and Sellers were in--a real accomplishment, considering what a veteran scene-stealer Sellers was. However, Lom did not concentrate solely on feature films. He became a familiar face to British television viewers when he starred as Dr. Roger Corder in The Human Jungle (1963). He moved into horror films in the 1970s, with parts in Asylum (1972) and And Now the Screaming Starts! (1973). He played Prof. Abraham Van Helsing opposite Christopher Lee in Nachts, wenn Dracula erwacht (1970), matching wits against the sinister vampire himself. Lom appeared as one of the victims in Ein Unbekannter rechnet ab (1974), the drunken Dr. Edward Armstrong. His career continued into the 1980s, a standout role being that of Christopher Walken's sympathetic doctor in The Dead Zone (1983). He also played opposite Walter Matthau in Hopscotch (1980) and returned to the murder mystery Ten Little Indians (1989), this time playing The General. Lom has been taking it easy since then, though he returned to his familiar role of Dreyfus in Son of the Pink Panther (1993). He was always a reliable and eminently watchable actor, and unfortunately did not receive the stardom he should have. Herbert Lom died in his sleep at age 95 on September 27, 2012, in London, England.
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Herbert Moulton was born on September 16, 1922. He was a producer and writer, known for Goodbye, Miss Turlock (1948), Main Street After Dark (1945) and Annie Was a Wonder (1949). He died on June 14, 1994.
Herbert Nordrum is an actor, known for Verdens verste menneske (2021), The Culture (2018) and Pornopung (2013).
Herbert Permillion is known for California Typewriter (2016).