George "G Dot" Hill is a Los Angeles based stand-up comedian, producer, and actor. His experiences as a LA Native fuels his edgy perspective on relationships, women, normal life tasks, and his entertainment life, bringing audiences together with thought and laughter every time he graces the stage. G Dot started his comedy writing career in 2006 after graduating from Stanford University. In 2009, G Dot became a lawyer, founding his own law firm and practicing in both corporate transactions and litigation. Thereafter, he reinvigorated his comedy career through stand-up comedy and has never looked back since. In addition to stand-up, G Dot has been successful in his pursuits in acting and producing. G Dot is an executive producer, writer and recurring character on the LeviNLA Films TV Series "Christian Brothers." Christian Brothers has various free episodes for viewing on YouTube and the full seasons can be viewed at Amazon Prime, Stream Now & Stream Now Pro. He is a writer, producer, and recurring character on Season 3 of Christian Brothers. G Dot Hill is a radio host and personality on Accelerated Radio's More Music More Funny Radio Show, airing every Monday from 8pm-10pm. The show provides a platform for unsigned, aspiring, and experienced talent to showcase their talents and events to hundreds of thousands of people. G Dot has also been a featured co-host on Worldwide Underground Radio Show, Tha Outhouse Radio Show, GoDaWork Radio Show, and the Journey to Stardom Radio Show on Accelerated Radio. G Dot is the founder and host of the G Dot Hill & Friends Monthly Comedy Showcase. The showcase features various up & coming Black comedians from all over the country performing in Orange County, California. G Dot tags this production as bringing Black Comedy to the OC, where this type of comedy is not as prevalent, but just as necessary. G Dot has performed stand-up all across California and the country, including: The Comedy Store (Hollywood, CA), The Laugh Factory (Hollywood, CA), Flappers Comedy Club (Burbank, CA), Hollywood Improv (Hollywood, CA), The Viper Room (Hollywood, CA), Van Nuys Comedy Club in Springbok (Van Nuys, CA), Sals Comedy Hole (Hollywood, CA ), Ice House Comedy Club (Pasadena, CA), OC SteelHouse (Anaheim, CA), The Study (Hollywood, CA), The Lexington Bar/Theater (Los Angeles, CA), Karma Lounge (Los Angeles, CA), 5 star Bar (Los Angeles, CA) Federal Underground Bar (Long Beach, CA), Blacklight District Lounge (Long Beach, CA), The Sky Room (Long Beach, CA), Luck Lizard (Whittier, CA), Kush Factory LA (Los Angeles, CA), Fanatic Salon Theater (Los Angeles, CA), French Quarters (Bellflower, CA), Muldoons Saloon (Long Beach, CA), Iron House Training Facility (Palmdale, CA), Vape & Bake (Rosamond, CA), Burbank Comedy Festival Regional Showcase (Sunnyvale, CA), Tommy T's Comedy Club (Pleasanton, CA), Punchline Sacramento (Sacramento, CA), Rooster T Feathers Comedy Club (Sunnyvale, CA), Mutiny Radio (San Francisco, CA), Brainwash Cafe (San Francisco, CA), Level 13 Club (Oakland, CA), Stateside Lounge (Las Vegas, NV), First Annual Northwest Black Comedy Festival (Portland, OR), Fun House Lounge (Portland, OR), Ford Food & Drink (Portland, OR), The North Bar (Chicago, IL). You can catch him performing stand-up throughout the Los Angeles, Orange County and across the nation.
American character actor, the most famous of Western-movie sidekicks of the 1930s and 1940s. He was born May 7, 1885, the third of seven children, in the Hayes Hotel (owned by his father) in the tiny hamlet of Stannards, New York, on the outskirts of Wellsville, New York. Hayes was the son of hotelier and oil-production manager Clark Hayes, and grew up in Stannards. As a young man, George Hayes worked in a circus and played semi-pro baseball while a teenager. He ran away from home at 17, in 1902, and joined a touring stock company. He married Olive Ireland in 1914 and the pair became quite successful on the vaudeville circuit. Retired in his 40s, he lost much of his money in the 1929 stock market crash and was forced to return to work. Although he had made his film debut in a single appearance prior to the crash, it was not until his wife convinced him to move to California and he met producer Trem Carr that he began working steadily in the medium. He played scores of roles in Westerns and non-Westerns alike, finally in the mid-1930s settling in to an almost exclusively Western career. He gained fame as Hopalong Cassidy's sidekick Windy Halliday in many films between 1936-39. Leaving the Cassidy films in a salary dispute, he was legally precluded from using the "Windy" nickname, and so took on the sobriquet "Gabby", and was so billed from about 1940. One of the few sidekicks to land on the annual list of Top Ten Western Boxoffice Stars, he did so repeatedly. In his early films, he alternated between whiskered comic-relief sidekicks and clean-shaven bad guys, but by the later 1930s, he worked almost exclusively as a Western sidekick to stars such as John Wayne, Roy Rogers, and Randolph Scott. After his last film, in 1950, he starred as the host of a network television show devoted to stories of the Old West for children, The Gabby Hayes Show (1950). Offstage an elegant and well-appointed connoisseur and man-about-town, Hayes devoted the final years of his life to his investments. He died of cardiovascular disease in Burbank, California, on February 9, 1969.
George 'The Slayer' Stiso was born on March 21, 1971 in New Jersey, USA. He is an actor, known for The Worst Horror Movie Ever Made (2005), Dirtbags: Evil Never Felt So Good (2009) and Night of the Pumpkin (2010).
George A. Johnson began filmmaking at an unusually young age. As a 3-year-old, he would create stories with toy action figures, and act them out, positioning various characters throughout the room. Rather than playing along, Johnson's childhood friends would often prefer to watch and see how the stories would unfold. At age 7, Johnson purchased his first 8mm film camera at a yard sale, and began writing scripts, and producing short films, even experimenting with in-camera effects. Coming from humble beginnings, Johnson could rarely afford to purchase film for his camera, so most of his stories were never actually recorded. He just wound the camera up, and listened to it buzz as he shot his choreographed scenes with friends, as well as his little brother, Ben Johnson (who later starred in Johnson's first feature film, Dreamer: The Movie (2004)). When he was 13, George purchased his first video camera with money that he had saved from delivering newspapers, and he continued to write and shoot short films throughout high school. He finished his first feature length screenplay at age 17. After graduating from the Hollywood Scriptwriting Institute, Johnson began working in television and video, where he continued to excel as a writer, director, and producer, as well as a visual effects artist. Since beginning his full-time work in television and video in 1998, Johnson has written, directed, and produced over 7,000 regional, national, and international commercials, as well as countless interactive DVD projects, music videos, and short films. He has also directed hundreds of live television programs. In 2000, he decided to embark upon his first feature length project, Dreamer: The Movie (2004), using nothing more than ordinary consumer video equipment. The goal of the experimental film was to prove that anybody with a video camera, a computer, and a basic editing program has a voice that can be heard around the world. (YouTube was not yet an Internet sensation at the time). Johnson had established himself since childhood with such tools, and with the advancements in technology, it had been a longtime dream of his to see of a feature could be accomplished with them. Dreamer: The Movie (2004) opened in select US theaters in Michigan, Indiana, Missouri, and Iowa. Over 600 people attended the world premier showing showing in Ionia, MI on New Year's Eve, 2004. Every theater that booked the movie extended their showings by as much as a week or more. The film won two film festivals; one regional & one international. It received positive reviews from both American & Canadian film critics, and in June 2005, it was picked up for worldwide distribution by Illuminare Entertainment. After the release of Dreamer: The Movie (2004) (ultimately a "hobby project") Johnson returned to his position as Production Manager at a Television Station in Northern Ohio. In 2009, Johnson wrote, produced, and directed his second feature, Homeless for the Holidays (2009). In 2018, Johnson won his first NATAS LGL Emmy® Award for directing the music video "Haunted" by iconic American rock band, The Guess Who. Johnson and his wife, Kary Johnson co-produced the award-winning thriller, "Thy Neighbor", (written and directed by Johnson) which was released in 2018, and in 2019, they began development on their fifth feature film, "Pulled From Darkness".
George A. Johnson is known for How Dads Hear (2017), Pulled from Darkness and Thy Neighbor (2018).
George A. Keller is an actress, known for Into Temptation (2009), Lady Dynamite (2016) and Kid West (2017).
George A. Papandreou is known for What Is Democracy? (2018), Searching for Andreas: Political Leadership in Times of Crisis (2018) and Når boblene brister (2012).
George A. Romero never set out to become a Hollywood figure; by all indications, though, he was very successful. The director of the groundbreaking "Living Dead" films was born February 4, 1940 ,in New York City to Ann (Dvorsky) and Jorge Romero. His father was born in Spain and raised in Cuba, and his mother was Lithuanian. He grew up in New York until attending the renowned Carnegie-Mellon University in Pittsburgh, PA. After graduation he began shooting mostly short films and commercials. He and his friends formed Image Ten Productions in the late 1960s and they all chipped in roughly $10,000 apiece to produce what became one of the most celebrated American horror films of all time: Night of the Living Dead (1968). Shot in black-and-white on a budget of just over $100,000, Romero's vision, combined with a solid script written by him and his "Image" co-founder John A. Russo (along with what was then considered an excess of gore), enabled the film to earn back far more than what it cost; it became a cult classic by the early 1970s and was inducted into the National Film Registry of the Library of Congress of the United States in 1999. Romero's next films were a little more low-key but less successful, including There's Always Vanilla (1971), The Crazies (1973), Hungry Wives (1972) (where he met future wife Christine Forrest) and Martin (1976). Though not as acclaimed as "Night of the Living Dead" or some of his later work, these films had his signature social commentary while dealing with issues--usually horror-related--at the microscopic level. Like almost all of his films, they were shot in, or around, Romero's favorite city of Pittsburgh. In 1978 he returned to the zombie genre with the one film of his that would top the success of "Night of the Living Dead"--Dawn of the Dead (1978). He managed to divorce the franchise from Image Ten, which screwed up the copyright on the original and allowed the film to enter into public domain, with the result that Romero and his original investors were not entitled to any profits from the film's video releases. Shot in the Monroeville (PA) Mall during late-night hours, the film told the tale of four people who escape a zombie outbreak and lock themselves up inside what they think is paradise before the solitude makes them victims of their own, and a biker gang's, greed. Made on a budget of just $1.5 million, the film earned over $40 million worldwide and was named one of the top cult films by Entertainment Weekly magazine in 2003. It also marked Romero's first work with brilliant make-up and effects artist Tom Savini. After 1978, Romero and Savini teamed up many times. The success of "Dawn of the Dead" led to bigger budgets and better casts for the filmmaker. First was Knightriders (1981), where he first worked with an up-and-coming Ed Harris. Then came perhaps his most Hollywood-like film, Creepshow (1982), which marked the first--but not the last--time Romero adapted a work by famed horror novelist Stephen King. With many major stars and big-studio distribution, it was a moderate success and spawned a sequel, which was also written by Romero. The decline of Romero's career came in the late 1980s. His last widely-released film was the next "Dead" film, Day of the Dead (1985). Derided by critics, it did not take in much at the box office, either. His latest two efforts were The Dark Half (1993) (another Stephen King adaptation) and Bruiser (2000). Even the Romero-penned/Tom Savini-directed remake of Romero's first film, Night of the Living Dead (1990), was a box-office failure. Pigeon-holed solely as a horror director and with his latest films no longer achieving the success of his earlier "Dead" films, Romero has not worked much since, much to the chagrin of his following. In 2005, 19 years after "Day of the Dead", with major-studio distribution he returned to his most famous series and horror sub-genre it created with Land of the Dead (2005), a further exploration of the destruction of modern society by the undead, that received generally positive reviews. He directed two more "Dead" films, Diary of the Dead (2007) and Survival of the Dead (2009). George died on July 16, 2017, in Toronto, Ontario, Canada. He was 77.
George A. Sack is known for Ford v Ferrari (2019), A Star Is Born (2018) and Amsterdam (2022).
George A. Tramountanas is a writer, director, and producer with a passion for inappropriate comedies, heroic adventures, and horror films that make you laugh. "Win a Trip to Browntown!" is George's first foray into the world of independent filmmaking - and he dove in head-first! He wrote, directed, produced, and acted in this micro-budgeted feature, which forced him to lose 50 pounds (and his job). He sincerely hopes audiences will find it worth his sacrifice. Born and raised in Seattle, George eventually made his way to Los Angeles via USC, where he received his Masters Degree in Film & TV Production. It was there he wrote and directed the award-winning short "Screwed: A Hollywood Bedtime Story," starring Enrico Colantoni ("Galaxy Quest"). He spent many years in the industry working as a music licensor for Disney TV, an assistant to filmmakers such as Oliver Stone ("Platoon") and Michael Phillips ("Taxi Driver"), and a freelance screenwriter. After several years in L.A., George moved back to Seattle to raise a family, but still kept one foot in moviemaking. He worked as both a film publicist and film acquisition specialist in the Pacific NW, and taught various classes at the Seattle Film Institute for more than a decade. Now, he's crossing his fingers that "Win a Trip to Browntown!" is just the first of many new projects to come!