Genevieve Thompson
Genevieve Thompson is an actress and producer, known for ETA: Pilot (2018), Delivery Boy (2014) and The Deuce (2017).
Genevieve Vasdeva
Genevieve Vasdeva is known for Long Story Short (2021).
Genevieve Von Petzinger
Genevieve Von Petzinger is known for Origins: The Journey of Humankind (2017) and The Nature of Things (1960).
Geneviève Beaudet
Geneviève Beaudet is an actress, known for Séquelles (2016), Nous sommes les autres (2017) and Babysitter (2022).
Geneviève Bigras
Geneviève Bigras was born on April 29, 1985 in Ottawa, Ontario, Canada. She is known for Raiders of the Lost Shark (2015), We Are the Missing (2020) and Hens Night (2018).
Geneviève Boehmer
Geneviève Boehmer was born on November 10, 1988 in Cincinnati, Ohio, USA. She is an actress, known for Replace (2017), Tatort (1970) and Free Identity (2012).
Geneviève Boivin-Roussy
Geneviève Boivin-Roussy is an actress, known for L'Âge adulte (2017), Sarah préfère la course (2013) and Le règne de la beauté (2014).
Geneviève Brunet
Still very active at the age of 74, Geneviève Brunet has had a long and prestigious career (spanning over 55 years) in the theatre, as an actress and a director (often jointly with her twin sister Odile Mallet). She even designed the settings and the costumes of several stage plays. After studying drama at the Conservatoire de Paris (with Odile of course), Geneviève debuted in the early fifties in Yougoslavia where she played Célimène in Molière's 'Le misanthrope'. She then became a member of the Théâtre Français company for one year and some time later of the famous Théâtre National Populaire led by Jean Vilar. She appeared in an amazing number of famous plays by famous authors: Corneille (Le Cid), Molière (Tartuffe, Les femmes savantes, Le bourgeois gentilhomme), Goldoni (La Locandiera, La veuve rusée, L'intrigante amoureuse, Les rustres), Beaumarchais (Le mariage de Figaro), Balzac (le faiseur), Feydeau (Occupe-toi d'Amélie), Pirandello (Chacun sa vérité), Giraudoux (La guerre de Troie n'aura pas lieu, Amphitryon 38, L'impromptu de Paris, L'Apollon de Bellac), Ionesco (Le roi se meurt). Brunet's appearances on TV and in movies have been more sporadic and less impressive. Her roles have been few, most often of minor importance. Theater has clearly been the passion of her life and has naturally come first. A great master she has served well and faithfully.
Geneviève Bujold
Genevieve Bujold spent her first twelve school years in Montreal's oppressive Hochelaga Convent, where opportunities for self-expression were limited to making welcoming speeches for visiting clerics. As a child she felt "as if I were in a long dark tunnel trying to convince myself that if I could ever get out there was light ahead." Caught reading a forbidden novel, she was handed her ticket out of the convent and she then enrolled in Montreal's free Conservatoire d'Art Dramatique. There she was trained in classical French drama and shortly before graduation was offered a part in a professional production of Beaumarchais' "The Barber of Seville." In 1965 while on a theatrical tour of Paris with another Montreal company, Rideau Vert, Bujold was recommended to director Alain Resnais (by his mother) who cast her opposite Yves Montand in La guerre est finie (1966). She then made two other French films in quick succession, the Philippe de Broca cult classic Le roi de coeur (1966) and Louis Malle's Le voleur (1967). She was also very active during this time in Canadian television where she met and married director Paul Almond in 1967. They had one child and divorced in 1974. Two remarkable appearances - first as the titular Saint Joan (1967) on television, then as Anne Boleyn in her Hollywood debut Anne of the Thousand Days (1969), co-starring Richard Burton - introduced Bujold to American audiences and yielded Emmy and Oscar nominations respectively. Immediately after "Anne," while under contract with Universal, she opted out of a planned Mary, Queen of Scots (1971) ("it would be the same producer, the same director, the same costumes, the same me") prompting the studio to sue her for $750,000. Rather than pay, she went to Greece to film The Trojan Women (1971) with Katharine Hepburn. Her virtuoso performance as the mad seer Cassandra led critic Pauline Kael to prophesy "prodigies ahead" but to assuage Universal, Bujold eventually returned to Hollywood to make Earthquake (1974), co-starring Charlton Heston, which was a box office hit. A host of other films of varying quality followed, most notably Obsession (1976), Coma (1978), The Last Flight of Noah's Ark (1980), and Tightrope (1984), but she managed nevertheless to transcend the material and deliver performances with her trademark combination of ferocious intensity and childlike vulnerability. In the 1980s she found her way to director Alan Rudolph's nether world and joined his film family for three movies including the memorable Choose Me (1984). Highlights of recent work are her brave performance in the David Cronenberg film Dead Ringers (1988) and a lovely turn in the autumnal romance Les noces de papier (1990).
Geneviève Casile
Genevieve Casile starred as Isabelle de Sospel in the French series from the 1960's "The Flashing Blade" (or "Le Chevalier Tempête" as it was named in French. The story is based upon historical events, a war between France and Spain and its allies from the 17th Century. The programs appeared on British TV in the late 60's to early 70's.
