Galathée Salze-Lozac'h is known for Welcome on Board (2020) and Petit Biscuit: Burnin (2020).
Galatéa Bellugi is known for Keeper (2015), L'apparition (2018) and Chien de la casse (2023).
Galba Nogueira is an actor, known for Inferninho (2018), O Clube dos Canibais (2018) and Greta (2019).
Galder Gaztelu-Urrutia is known for The Platform (2019), Rich Flu (2024) and La casa del lago (2011).
Gale Anne Hurd was born on October 25, 1955 in Los Angeles, California. After graduating from Stanford University, she joined New World Pictures as executive assistant to Roger Corman, the company president. She worked her way up through various administrative positions and eventually became involved in production. She formed her own production company, Pacific Western Productions, in 1982 and went on to produce a number of box-office hits including The Terminator (1984), Aliens (1986) and The Abyss (1989). All were directed by James Cameron, whom she later married and divorced. She also later married and divorced Brian De Palma. She is currently the recording secretary for the Producers Guild of America.
Gale Harold was born and raised in Atlanta, Georgia. After studying photography and printmaking at the San Francisco Art Institute, Harold began studying acting at the suggestion of writer and producer Susie Landau Finch, who at the time was working at American Zoetrope. After three years of training and theatre work, Harold was cast and starred for five years as "Brian Kinney", the lead character in the Showtime adaptation of the British series "Queer As Folk". Harold's film credits include Wake, Particles of Truth (Tribeca Film Festival), Rhinoceros Eyes (Toronto Film Festival), Fathers and Sons, The Unseen, and Falling For Grace. Along with executive producer David Bowie and producer Mia Bays, Gale co-produced the film Scott Walker: 30th Century Man, directed by Stephen Kijak. The film's world premiere was at the London Film Festival, and debuted internationally at the Berlin International Film Festival. The film's U.S. premiere was at the South By Southwest Film Festival. Harold appears as Connor Lang in Rockne S. O'Bannon and Kevin Murphy's SYFY series, "Defiance". Gale recently had regular roles on the series "The Secret Circle" and 'Hellcats". He has recurred on Emmy and Golden Globe award winning shows including "Deadwood", "Desperate Housewives", and "Grey's Anatomy". He has made guest appearances on "Street Time" "The Unit", "Law and Order SVU", and "CSI: NY". Harold's stage credits include Tennessee Williams' Suddenly Last Summer opposite Carla Gugino and Blythe Danner for the Roundabout Theatre Company, Williams' Orpheus Descending directed by Lou Pepe at Theater/Theatre. Harold's performance was called "brilliant" by the LA Times. The play received the McCulloh Award For Revival from the Los Angeles Dramatic Critics Circle 2011. He has also performed in Austin Pendelton's Uncle Bob at the Soho Playhouse, Gillian Plowman's Me and My Friend at The Los Angeles Theatre Center, and various productions with A Noise Within Repertory Company.
Born on July 29, 1910, to R.L. and Isabel Rutter in Spokane, Washington, Gale Page was christened Sally Perkins Rutter in the beginning. Coming from a political family, her uncle, Miles Poindexter (1868-1946), was a U.S. senator from the state of Washington who later became an ambassador to Peru. Her great-grandfather was Joseph Gale (1807-1881), the first governor of Oregon. A one-time radio actress and singer with Ted Weems' Orchestra, she appeared on radio soaps such as "Masquerade" (as blues singer Gertrude Lamont) and as Gloria Marsh on "Today's Children." Spotted for films by Warner Bros, she moved to Hollywood in 1938 and her moniker immediately changed by the studio to the more marquee-friendly "Gale Page." A lovely, wholesome-faced, curly-haired brunette, Gale was a brief fixture in films nominally consigned to play pleasant, decorative roles in such potboilers as Crime School (1938) (her debut), Indianapolis Speedway (1939), and They Drive by Night (1940). She was handed the role of her career as one of musical sisters in the classic tearjerker Four Daughters (1938) co-starring with the three Lane sisters (Priscilla Lane, Rosemary Lane, Lola Lane) when Universal passed on casting their fourth sister, Leota Lane. She went on, with the others, to co-star in the three sequels Daughters Courageous (1939), Four Wives (1939) and Four Mothers (1941). Gale appeared in only 16 films during her career, including the action adventure Heart of the North (1938); the Humphrey Bogart crime drama You Can't Get Away with Murder (1939); the musical comedy Naughty But Nice (1939); the action drama Indianapolis Speedway (1939), the domestic drama A Child Is Born (1939), the film noir They Drive by Night (1940); the William Saroyan classic The Time of Your Life (1948). Gale additionally won the lead femme role as the altruistic wife of Knute Rockne All American (1940) starring Pat O'Brien in the title role and Ronald Reagan whose famous catchphrase ("Win just one for the Gipper") showed up here. After completing a secondary role in the film noir Anna Lucasta (1949) starring Paulette Goddard, Gale abandoned the screen for family life. She reappeared just once in a movie a few years later with the soapy Shirley Booth vehicle About Mrs. Leslie (1954). She also was sporadically seen on several episodes of the TV anthology Robert Montgomery Presents (1950), as well as guest appearances on "The United States Steel Hour," "Hawaiian Eye," "Sam Benedict" and, her last, "The Eleventh Hour" in 1964. Page was first married to Frederick Tritschler, with whom she had a son. Following their 1939 divorce, she married Count Aldo Solìto de Solis, a pianist and composer. Their son, Luchino Solito de Solis Jr., was featured on Broadway in a juvenile role in the 1956 production of "Waiting for Godot." Gale died of lung cancer on January 8, 1983, in Santa Monica, California, at age 72.
Gale Payne is an actress, known for Soulless (2018), Elastic Heart (2016) and The Spanking (2018).
Minor league singer/actress Gale Robbins was a knockout-looking hazel-eyed redhead who made a modest dent in post-war Hollywood films. Born Betty Gale Robbins in Chicago, Illinois (some say Mitchell, Indiana) on May 7, 1921, she was the eldest of five daughters of Arthur E., a doctor, and Blanche Robbins, and educated at Chicago's Jennings Seminary at Aurora, Illinois and Flower Tech. Gale had a natural flair for music and appeared in glee clubs and church choirs in the early days. She graduated from her Chicago high school in 1939. She started out in entertainment as a model for the Vera Jones Modeling School in Chicago, but her singing talents soon took over. Signed by a talent agency, she sang with Phil Levant's outfit in 1940 and later teamed with some male singers for a swing band that called themselves "The Duchess and Her Dukes." She went on to work with some of the top radio and live 'big bands' of that era including the Jan Garber and Hal Kemp orchestras, her best showcase was working for Art Jarrett in 1941 when he took over Kemp's band. 20th Century-Fox caught sight of this slim looker while she was singing for 'Ben Bernie (I)'s outfit and was quickly signed her up, her first film being the pleasant time-filler In the Meantime, Darling (1944). A semi-popular cheesecake pin-up, Gale appeared on the cover of "Yank, The Army Weekly" in 1944, was heard on radio, and toured with Bob Hope in Europe the next year. Her post-war parts, mostly sultry second leads, were typically lightweight in nature. She was often lent out to other studios and not always in a singing mode. Gale's better known film work includes Race Street (1948), The Barkleys of Broadway (1949), Three Little Words (1950), The Fuller Brush Girl (1950) and Calamity Jane (1953). Gale went on to host the Hollywood House (1949) and also appeared on The Colgate Comedy Hour (1950) in 1951. In the late 50s the gal with the smooth and sexy vocal style released an easy-listening album ("I'm a Dreamer") for the Vik Label backed by Eddie Cano & His Orchestra. She covered such standards as "Them There Eyes" and "What Is This Thing Called Love." After her final film appearance in Quantrill's Raiders (1958) and a few additional TV parts on such programs as "Bourbon Street Beat," "77 Sunset Strip," "The Untouchables," "Perry Mason" and "Mister Ed," Gale phased out her career to focus full-time on raising her family. Married to her high school sweetheart Robert Olson in November of 1943 while he was serving in the Air Force, her husband turned to construction engineering as a career and they had two children. After her 47-year-old husband was tragically killed on February 4, 1967, in a building accident, a distraught Gale, left the States for a time with her two daughters, and decided to make a transatlantic comeback of sorts appearing in nightclubs in Japan and the Orient. She later was glimpsed in the film Stand Up and Be Counted (1972) and appeared on stage in Stephen Sondheim's musical "Company" in 1975. She also made ends meet as an interior decorator. Gale died of lung cancer in February of 1980, and interred at Forest Lawn Cemetery.
Sly, manipulative, dangerously cunning and sinister were the key words that best described the roles that Gale Sondergaard played in motion pictures, making her one of the most talented character actresses ever seen on the screen. She was educated at the University of Minnesota and later married director Herbert J. Biberman. Her husband went to find work in Hollywood and she reluctantly followed him there. Although she had extensive experience in stage work, she had no intention of becoming an actress in film. Her mind was changed after she was discovered by director Mervyn LeRoy, who offered her a key role in his film Anthony Adverse (1936); she accepted the part and was awarded the very first Academy Award as Best Supporting Actress. LeRoy originally cast her as the Wicked Witch in The Wizard of Oz (1939), but she felt she was not right for that role. Instead, she co-starred opposite Paul Muni in The Life of Emile Zola (1937), a film that won Best Picture in 1937. Sondergaard's most-remembered role was that of the sinister and cunning wife of a husband murdered by Bette Davis' character in The Letter (1940). Sondergaard continued her career rise in films such as Juarez (1939), The Mark of Zorro (1940), The Black Cat (1941), and Anna and the King of Siam (1946). Unfortunately, she was blacklisted when she refused to testify during the McCarthy-inspired "Red Scare" hysteria in the 1950s. She eventually returned to films in the 1960s and made her final appearance in the 1983 film Echoes (1982). Gale Sondergaard passed away of an undisclosed illness at the Motion Picture and Television Hospital in Woodland Hills, California, at the age of 86.