Billy Bentley is known for The Substance (2024), Neighbours (1985) and Interface: Mechanica.
Billy Berger is known for Survivng Civil Unrest (2013), Naked and Afraid (2013) and Curiosity (2011).
Billy Bevan's show-business career began in his native Australia, with the Pollard theatrical organization. The company had two theater troupes, one which toured Asia and the other traveling to North America. Bevan wound up in the latter, performing in skits and plays all over Canada and Alaska then down into the continental US. While in a road company of the play "A Knight for a Day", Bevan was noticed by comedy pioneer Mack Sennett, who hired him on the spot. Bevan made many one- and two-reel shorts for Sennett over a ten-year period, and then transitioned into a reliable comic actor in many Hollywood comedies over the next 20 years or so (even doing voice-overs for cartoons). He made his last film in 1950, then retired. He died in Escondido, CA, in 1957.
Billy Bilham is known for Accident Man (2018), King Arthur: Excalibur Rising (2017) and The Rebels (2019).
Billy Birmingham is an actor and writer, known for :30 Seconds (2009), The Mule (2014) and Austen Tayshus: Australia Day Special (2006).
Billy Bitzel is known for Woman in the Maze (2023).
Born in El Paso, TX and related to the great Edgar Allan Poe, Billy knew what he wanted to do at the ripe age of 5 after experiencing Sesame Street and KISS. He comes from a musical background. His great grandfather led his big band during the early 1900's in Mexico performing for some of history's greatest figures such as Pancho Villa. He also had uncles and cousins, all which played in big bands and symphonies. For all of Billy's life, he was dedicated to music and still proceeds to endeavor this lifestyle. Being in numerous bands, he would experience touring the nation, playing in clubs, theaters, arenas and amphitheaters; fulfilling the dream and opening for some of the biggest names of rock. By the mid 90's, Billy decided to pursue in acting. He would develop his skills in theater at Richland College in Richardson, TX and would resume with taking private lessons from the greatest acting coaches in Texas. Building his resume with small, local indie films. Landing in a national commercial, then booking roles in bigger films like Jonah Hex starring Josh Brolin. He is known for some of his great work in films like The Last Stand starring Arnold Schwarzenegger and Robert Rodriguez's Machete, Machete Kills and Sin City: A Dame To Kill For.
Billy Blanco Jr. is an actor, known for A Divisão (2019), O Paciente: O Caso Tancredo Neves (2018) and Muitos Homens Num Só (2014).
Muscular African American sports star, actor, media identity and inventor of the phenomenally popular "Tae Bo" fitness system, derived from his extensive martial arts training. Blanks was born in Erie, Pennsylvania in 1955 amongst humble backgrounds and grew up as one of 15 children, battling dyslexia and tendon problems. However that didn't stop him from starting his martial arts training at age 14 and eventually achieving black belts in tae kwon do & several other arts, and winning numerous US martial arts tournaments. Blanks first popped up on movie screens in the mid 1980s in tough guy parts utilizing his athletic background and grim faced looks. Films roles included Tango & Cash (1989), Driving Force (1989) and Lionheart (1990). Things looked up in 1991, when Blanks scored the minor role of drug addicted running back "Billy Cole" in the explosive The Last Boy Scout (1991)....and further work followed often sharing lead billing in low budget - high action fare such as Talons of the Eagle (1992), TC 2000 (1993) and Expect No Mercy (1995). In the late 1990s, Billy's innovative and exciting "Tae Bo" workout routine swept around the world like wildfire, and propelled him into the position of one of the world's most recognizable and biggest selling fitness trainers. The remarkable Blanks continues to refine and promote his unique "Tae Bo" fitness system, and he operates the Billy Blanks World Training Center in Sherman Oaks, California.
Billy Bletcher, standing 5' 2", was known as the little guy with the big voice, who, ironically, started his film career during the silent era. Billy's show business career began in 1913 at the age of 19 in vaudeville, and within a year, he went to work for Vitagraph Studios in Brooklyn where he both acted and directed. Two years later, he met his wife, Arline Harriett Roberts with whom he would stay married until the day he died in 1979. In 1917, he took his wife westward to Hollywood where he started with smaller production companies, such as the Christie Film Company, writing and acting in shorts, and then moved on to larger and larger companies, such as the Fox Film Corporation where he did a few cowboy movies, one with Tom Mix, playing the comedic element. Then onto larger companies, such as Warner Brothers, RKO, Columbia, and Paramount where he had mostly bit parts, but got experience working with the likes of The Three Stooges and The Marx Brothers. But it was in Mack Sennett's comedy troupe where he started getting recognition doing two-reelers, and his biggest break came when Hal Roach studios pared him with Billy Gilbert and his career took off. Because pictures now had sound, directors and studios everywhere were clamoring for his deep, rich voice. Mack Sennett and Hal Roach put Bletcher in shorts with W.C. Fields and Laurel and Hardy and he even played Spanky's father in the Little Rascals series, but it was Disney who made Bletcher a star. Pinto Colvig, the original voice of Goofy and Pluto, told Bletcher that Disney needed a big, blustering voice to "huff and puff and blow your house in," so he tried out, got the job, and within a very short time, Disney had him doing a session a week in the sound booth, sometimes doing two and three voices. His voice got so famous that when he auditioned to do the voice of one of the seven dwarfs in Snow White and the Seven Dwarfs (1937), Walt Disney took him aside and told him, "Billy, your voice is heard so much in all of these singles that I make, I don't think I'd want to use you as one of the Seven Dwarfs." Bletcher admits that because his voice was so low and resonant, the characters he got to play were usually the "heavies" (bad guys). And as a heavy his voice became too recognizable for him to get a role in a feature length Disney production, with one exception: he did get a minor role in Dumbo as the voice of one of the clowns. As a voice actor, he could go anywhere and soon found himself working for Leon Schlesinger at Warner Brothers, but never got credit for his work since Mel Blanc had it in his contract that he'd be the sole credit for voice characterizations. And at that time there were only a dozen or so actors doing voicework that the jobs were plentiful. He worked for Disney, Warner, and at MGM he did the voice of the Captain in the Captain and the Kids cartoons. In the fifties, he did several characters on the Lone Ranger radio program, but before that he did what's known in the business as ADR (automated dialogue replacement) work, with his old pal Pinto Colvig. In The Wizard of Oz (1939), their voices were substituted for a few of the munchkins. All in all, Bletcher worked on just over 450 films spanning nearly 60 years, his last film being a made-for-TV version of Li'l Abner (1971) in which he played Pappy Yokum. He passed away 13 years later at the age of 84.